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CREARCOOP - guacamayas, boyaca

90 ARTISANS

Welcome to Guacamayas, a small town that smells like coffee, snowy mountaintops, and crystalline water: home to a large artisan population.

70% of the Guacamayas inhabitants are craftsmen and women for whom artisanal work is their main source of income. Their basket weaving crafts, known as ‘Cesteria de Rollo’, is attributed to the ‘Laches’ indigenous people.

A few words from Omaira Manrique, leader of Crearcoop: “We are working from our home workshops, hopping to get ahead despite the difficult situation we are experiencing, and most importantly waiting for the opportunity to sell our products. We are fully complying with the government requirements: following preventive isolation to take care of our family, our neighbors, and our community. At Boyacá we are hardworking people, humble but also rooted in our land, legacy, and customs. We will move forward as a great team.”


ASOCIACION TEJEDORAS JUANITA - SANDONá, NARIÑO

212 ARTiSANS

Welcome to Sandoná, a town of artisans & laborers. Sandoná smells of coffee, palm trees, and brown sugar.

A beautiful valley formerly known as ‘Llano de los Aguacates’ ie: ‘Avocado Valley’, it is a small peasant town with sloping streets, surrounded by mountains and infinite shades of green. More than 50% of the towns people are artisans. They weave a natural fiber ‘PALMA DE IRACA’, (ie: Iraca Palm) indigenous of the south side of Colombia. The ancestral heritage that involves its transformation has been transmitted from generation to generation.

A few words from Juanita Castillo, leader of Asociacion de Tejedoras Juanita: “Remember, we are 204 women and 8 men who depend on the art we weave with our hands to survive and thrive. We depend on clients like you, even though we are so many miles away and now more distant than ever. We know you are aware.”


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Asociación  KARAVi - PUEBLO RICO, RISARALDA

30 artisans

Welcome to the city of Pereira, the capital city of the Risaralda Department of western Colombia. A UNESCO World Heritage Site known as the "Coffee Cultural Landscape of Colombia", Pereira has been the home of the Asociacion Karavi Artisans for over half a decade.

Native from Pueblo Rico, they were forcefully displaced to the city due to death threats and the disappearance of two relatives by the guerrillas.

30 family members protect a traditional artisanal technique distinctive to the EMBERA CHAMI KURAMDO. They are masterful at the craft of weaving Czech beads, either entirely by hand or byusing small homemade looms.

Their situation of vulnerability is extreme, as they are individuals who live off their daily sales of artisan products.

A few words from William Nasequia, the leader of his family clan from the EMBERA CHAMI KURAMDO community: “We must all unite to protect mother earth. Now”


ARTEFIQUE - LA JAGUA Y NEIVA, SANTANDER

27 ARTISANS

Welcome to La Jagua, a small village in the Huila Department on the South-East side of Colombia. On the shore of the most important river, the Magdalena river, La Jagua is a magical town of rituals and mestizo traditions.

Led by Luz Marina, 27 weavers work diligently every day, weaving by hand and using the fique loom. The artisans learned the technique as children, so they have been weaving for more than 50 years.

A few words from Luz Marina, the leader of Artefique “This product is made by the laborious hands of artisans who with delicate mastery, weave the cultural identity of a people in their threads."


CORPOLIENZO - CHARALá,  SANTANDER

73 ARTISANS

Welcome to Charalá, a municipality of Santander. In pre-Columbian times, its Guane population skillfully spun and wove cotton.

They are heirs to an ancient textile tradition. In an interesting phenomenon of cultural hybridization, the craft evolved from pre-Columbian times (through the Guane population great skill) to post Spanish conquest. However, this activity went into decline after the industrial revolution – loosing ground to fabrics imported from England.

Since the mid-1980s, Corpolienzo has tried to give a new breath to this almost extinct tradition. Its members produce a neo-craft based on an update of the old techniques and designs that unite tradition and modernity. Corpolienzo houses the Museum of Cotton and Canvas of the Earth in its urban workshop in Charalá.

Corpolienzo specializes in weaving organic cotton with vegetable dyes. Led by Graciela Sanabria de Navarrete, it associates 54 artisans: 11 weavers, 35 spinners and 8 cultivators of organic cotton.


VEREDA MANCHADORES- CURITÍ, SANTANDeR

27 ARTISANS

Welcome to Curití, a municipality of Santander on the North-West side of Colombia. Curití has a powerful legacy to protect; the meaning of the word in the Guane language is ‘Village of weavers’.

Dedicated to the extraction and spinning of fique, artisans in Curití provide the raw material for all artisans in the region. They are a fundamental link for the development of handicrafts around all of Colombia.

Don Camilo Sequeda is the leader and coordinator of 27 families of artisans who work on the transformation process of Fique. They extract the natural fiber from the leaves of the Fique plant, shred, wash and dry it. Afterwards, they comb the fique, then it is dyed and in its final phase, it is spun.

Don Camilo is a recognized leader of the Curití community, empowering future artisans to innovate and get ahead with their craft by sharing his knowledge & experience.


CURARTE - SIBUNDOY + SAN FRANCISCO, PUTUMAYO

34 Artisans

Welcome to the Sibundoy Valley, a magical valley in the south of Colombia, home to the Camentsa and Inga indigenous people.

The Sibundoy valley plays the role of a bridge between the Andes mountain range and the Amazon Jungle and unites all the elements that live in its midst.

The Camentsa culture is known for their its spirituality, connected to the moon and its phases. The Camentzä are natives of this region, with a worldwide unique mother tongue and ancient knowledge in traditional medicine. 

They observe an annual holiday called the ‘Celebration of Forgiveness’, a ritual that celebrates gratitude, forgiveness and reconciliation. A tradition that is considered part of the National Cultural & Intangible Legacy of Colombia.

Eisenhower Ramos, leads a community of 34 artisans who specialize in bead weaving and bead veneer crafts.


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LIBERTEJIDOS - SAN AGUSTÍN, HUILA

43 Artisans

Welcome to San Agustín, a municipality in the department of Huila in the South East of Colombia. Home to a World Heritage archeological site, San Agustin has an ancestral artisanal heritage in both stone cutting and weaving.

Libertejidos (‘Freedom Knits’ in Spanish), brings together 42 artisans whose main occupation is weaving and spinning banana fiber. They further a technique developed by the founder 50 years ago, extracting and producing banana fiber yarns, crafts and paper.

A few words from Lisbina Becerro Rengifo, Libertejidos leader: "I am an artisan who has developed this trade for more than 40 years. Our craft allows us to create employment for mothers who are heads of households, people with disabilities and young artisans."


TERRA GUANE - CURITí, SANTANDER

17 Artisans

Welcome to Curití, a municipality of Santander on the North-West side of Colombia. Curití has a powerful legacy to protect; the meaning of the word in the Guane language is ‘Village of weavers’.

Luz Dary Pinto Ramirez, Artisan Leader of Terra Guane brings together 17 artisans who live in the urban area of Curití. They are expert weavers of the natural fiber ‘fique’ through diverse techniques – crochet, two needle knitting and braiding.


ALPA MAMA - MOCOA, PUTUMAYO

12 Artisans

Welcome to Mocoa, the capital of Putumayo. Located in the southmost area of Colombia, it is considered the gateway for the Amazonia.

It is home to the Camentsa indigenous people due to its proximity to the Sibundoy Valley.

Home of the Curarte association, which represents 12 Camentsa artisans. Jesus Alfonso Imbachi and Paola Chindoy lead a community of 9 crafts women and 3 crafts men.

These 12 artisans grew up working with chumbe, a technique that makes oral tradition visible through weaving. They weave their legacy into their creation.  They are also masterful at embroidering beads in designs that are is inspired by the spirituality and memory of their Cametsa ancestors.


HAJSU - CUASPUD - RESGUARDO CARLOSAMA, NARIÑO

34 ARTISANS

Welcome to Carlosama, in the department of Nariño – in the south-east of Colombia. Home to the the ‘Los Pastos’ indigenous community, Carlosama is an indigenous reservation who seeks to safeguard the culture traditions &

Hajsu is a community of 34 Weavers: 21 women, 3 men and 8 elderly. They protect in their hands an ancestral weaving technique performed on their traditional “Guanga loom”.

Their fabrics capture their ethnic symbolism, the flames of fire and the phases of the moon. Their colors are found in the different native plants and in the elements of the Earth, or ‘Pacha Mama’.

A few words from Flor del Carmen Imbacuan, leader of the community “As knowledgeable masters and artists of ancestral fabric, we fight for the preservation of our own knowledge. On our looms, we weave our thoughts and feelings, generating life and harmony. "


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WAJAPU - MAICAO, GUAJIRA

37 artisans

Welcome to Maicao, in the northern-most part of Colombia. Maicao serves as a bridge between Colombia and Venezuela. The origin of its name comes from the word 'Maiko-u'; corn eye.

Wajapu is a community of 37 artisans, 28 of whom are women, at the forefront of innovation in their ancestral ‘Peyón’ technique, also known as traditional wayúu tapestry.

A few words from Yudelis Sapuana, leader of the community: “Weaving hands united to preserve the traditions of the Wayúu people.”


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BOGOTA, CUNDINAMARCA

12 artisan families

Welcome to Bogota, the capital of Colombia. Perched on top of the Andes mountain range, it is a melting pot for the diverse cultures that make up Colombia.

The artisans we are supporting are both in the rural and urban areas of Cundinamarca. Know-hows such as Basket Weaving and Fiber Weaving are protected by 12 families dispered through the city.

Weaving on a horizontal loom begins by “dressing the loom” by threading a series of needles within a wooden frame, which are placed subsequently one behind the other. This will become the warp of the fabric which determines the order in which the threads or yarns will be organized. The movement of those frames is later controlled by the weavers by stepping on pedals at the same time that they manually weave the horizontal threads with the help of a “shuttle”. The crossover of the threads follows an order determined by the frames mentioned initially, and which determines the pattern of the textile.


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CERAMISTS & CARPENTERS

caldas, ANTIOQUIA

10 artisan families

Welcome to Caldas, a town and municipality in Antioquia, set on the Aburrá Valley.  

Patience, persistence and love behind each pièce made with 10 colombian artisans, specialized in moulded pottery and carpentry.

“Alongside the artisans from Caldas, Antioquia, we have shared great knowledge of wood - learning about new techniques to apply to many of our pieces” Francisco


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SANTA MARTA, MAGDALENA

17 ARTISANS

Welcome to Santa Marta, a city on the caribbean coast with a population of 450,000 inhabitants where 27% are victims of the armed conflict, 35% live in poverty and 7% live in extreme poverty.

Our craftsmen are part of these figures. Most came without prior knowledge in weaving, however they grew up in an environment wh

“Our chairs are a true recognition of the ingenuity of our craftsmen. We work with innate talent; Our weavers who were merchants, blacksmiths who were bricklayers and administrators who are now designers. Tucurinca is a tribute to our land, its colors and its people.” Rafael


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ARTESANOS DE CHAQUIRAS DE QUIBDÓ, CHOCO

95 Artisans

Welcome to Quibdó, the capital of the eastern-most department of Choco in Colombia. This coastal city on the pacific ocean is a cornerstone of the afrocolombian culture.

Quibdo is the home of members of the indigenous Wounnan Phurr communiity, orginally from ancestral territories on the San Juan river. Displaced by violence, members of the community have seeked safety better conditions in the city of Quibdo since 2006. Unfortunately, the city is a hostile environment, lacking the economic prospretity or infrastructure to allow these indigenous families, accustomed to a life sustained by farming, hunting and fishing activities to prosper.

The Wounaan1 indigenous people, for more than five centuries, have lived scattered along the banks of the San Juan River. Their native language is called Woun Meu, it belongs to the Chocó linguistic family and represents a factor of ethnic and cultural identity. The Wounaan constantly maintain inter-ethnic relations in the territory with Afro-Colombian and indigenous communities such as the Embera, Tule and Kuna.

The neighborhood where the community settled, ‘el Obrero’, is one of the most dangerous, insecure and violent places in Quibdó. But despite the difficulties, Luz Beraide, a 31-year-old artisan, established the artisanal community: Artesanos de Chaquira de Quibdo. She is considered a master of her art: she learned to develop beadwork with precision and understands the importance of and commitment to the Wounnan culture.


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SAN JACINTO, CUNDINAMARCA

29 ARTISAN FAMILIES

My greatest satisfaction lies in the moment when I see my clients feel the love and happiness with which I craft my fabrics.

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STONE CARVING - SAN AGUSTIN, HUILA

3 artisan families

Welcome to San Agustín, a municipality in the department of Huila in the South East of Colombia. Home to a World Heritage archeological site, San Agustin has an ancestral artisanal heritage in stone carving.

A few words by Deyaned Muñoz, ”Everything around us is related to the stones"‘ energy. the stones have incalculable power because they come from the incalculable heart of the earth and their capacity to act on us is immense. Our ancestors sustained their traditions and cultures on them and now they are our most valuable heritage "

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ARTESANOS TEJEDORES - CAJICA, CUNDINAMARCA

5 artisan families

"Weaving signifies freedom and wisdom, in 5 years I see myself retired from my beautiful art, weaving memories and longing to be born again so as not to let this profession die " Jose Joaquin Casas